31 August 2010

The process of the fashion Course at CIT

"students can go to the very beginning to the very end in their own way"


Process Of Fashion Course At CIT 

Interveiw with Steve Wright, Senior lecteur in Fashion at CIT

Hannah: What inspired you to get a job teaching at CIT?

Steve: I received a fashion degree. I like the idea of showing people how to do things, pushing backside of the industry, suppose kind of teaching the industry with expertise. So education it is.

Hannah: So what’s involved in taking your classes?

Steve: Depends on the class I teach a range of subjects. Design, event management and theory subjects. I think for any class, the things I look for in students is a thirst for knowledge and if they are really interested and they want to explore things, then that’s all they need.

Hannah: How close do fashion and beauty work together?


Steve: Not very close at all. They are quite different courses. The beauty course is about the technical expertise of beauty and fashion the “Clothing Production” course is kind of the beauty equivalent in the fashion course that is, the technical expertise of making fashion, they’re both quite long courses, it’s very hard to become an expert in these fields, it’s very difficult.  But the fashion degree that we have here is a “conceptual” degree so it is about designs, ideas and concepts as opposed to sewing, although you do learn how to sew.

Hannah: What advice do you have for future students wanting to do a fashion degree?

Steve: I suppose for anyone, wishing to become a fashion student, essentially I would say, they should be doing research on the industry, the part of the industry that interests you the most and definitely try and get some depth there. So reading fashion magazines is important it’s not the be all and end all becoming a fashion student, look at some of the ideas surrounding that industry, research recent government studies, looking at innovation within the industry in Australia. Essentially what you are looking at, if you’re in year 11 or 12 now, you’re going to be working in the industry in five or six years, so the industry today is going to be quite different to the industry that you’re going into.

Hannah: What kind of opportunities does CIT offer to students?


Steve: Students get to participate in a range of events every year. At the moment we’re looking at a few sustainable fashion parades. At the end of every year we have the graduation parade which this year is called “Archetype10” it is the biggest parade in Canberra. We give our students time to attend fashion week, you actually do at least a week of work placement in the industry anywhere in Australia. Actually we had a student recently go to Bali, for her work placement. We have industry members that work here as part of our teaching  team. So we have a strong relationship with the local industry. We have exhibitions all the time we’ve got one at the moment actually. What we try and do is simulate the work place. So in a workplace you meet people from diverse areas from the industry, so you can get a lot of connections, a lot of collaborative industries, it’s a business built on relationships.

Hannah: Explain how the design course works?

Steve: There are 4 core subject is the degree. In Fashion Studio students learn about design, how to design, how to identify the visually communicative elements of a design and use these to create a reaction in a viewer, this is also the subject where students receive their main briefs for the semester. Social and Cultural studies is the theoretical side of the degree for example: in first year students cover fashion history and the ethics of fashion. In Design technology is where you do all your sewing, patternmaking and learn how use all the machinery. In Image Making you learn to draw, how to use that drawing as a tool for design as well as how to use image manipulating software.  Students choose an elective which could be something like surface printing, textile investigation, model preparation or costume corsetry and a range of other things. So these subjects are all designed to work together. For example you get a brief and given a studio, you use Social and Cultural Studies to help you with your research to inform your brief. Design Technology can give you the skills to make the brief and Image Making can show you how to further your designs and how to present your brief. So, all our subjects are integrated. We have a competency based assessment process which means that you must meet a specific set of skills to get through the course. So basically in maths you get. 52% what mark does that equal?

Hannah: Depends, C or a D depending on the bell curve ( laughs)

Steve: The thing with competency based assessment you have to get 100% to pass. That sounds kind of stressful, that’s because it’s based on the industry for example, in the fashion industry you’ve made the best fashion in the world, it’s really, really exciting. So Hannah and Alice, you’ve done really well, here’s your models show up on Friday at 10:00 and you show up at 11. Void! So everything has to be done. Complete 100% otherwise you miss out. The degree is broken up into semesters which are called stages 3 years 6 semesters 6 stages. In Stage 1 you do your core skills. You don’t need to know how to sew or draw to get into the course, we’ll teach you those things, the first principles. So in the first semester we teach you about design how to manipulate the elements and principles of design and how to unlock the keys about fashion, so to understand that fashion is more about then just dresses and frocks and that fashion can be a whole range of things fashion is an exciting tool for communication, so that’s what stage 1 is about.

Steve: When you start Stage 2 the costumes and garments become more sophisticated and in Image making 2 , you begin to look at the body figure and you start to draw, you then learn more about the ethics of fashion in Social and Cultural Studies 2. In Design Technology 2 you begin to look at pattern making, there is a series of briefs in stage 2, one is of architecture the relationships with architecture and fashion, fashion cycle, trend cycle. Which the two girls you spoke to today (Hannah and Morgan) are from.   So the stuff you are working with is still experimental, still using fashion as a tool for communication in opposed to a tool for clothing.

 Steve: Once you’ve done your first year you are very excited, you get into your first commercial brief, which is stage 3. So this is about designing for a particular consumer, understanding the strengths of that certain person, so you make up the designer, so you understand that when you are 20 your consumer would still be 18. You need to understand somebody that isn’t you to get results.

Steve:  Stage 4, they undertake a group project, which asks them to use a whole range of different skills collaboratively, because fashion is a collaborative industry. They need to make an exciting collection based on contemporary art, so you start to break up your collection into commercial pieces that are used to excite you as a designer, promote your work, these sort of things are the stuff you see on the news, like “men in glass”.

Steve: Once your done with the 2nd year, you’ve graduated and can leave with an Advanced Diploma.
For those wanting to continue into their third year they are asked to undertake their own brief. So they will use their skills they have learnt throughout these four stages, for example, I really liked the idea of architecture, I may do something with that. The thing with our course is that you’re not restricted in any way in what direction you can go to. For example of you want to do an underwear line you can!Often other fashion courses say “this semester we are making skirts, next we are making pants” we don’t have anything like that, so students can go to the very beginning to the very end in their own ways, we prepare the course for them. So they are asked to write their own brief. They have business studies so they write a business plan, business management, to raise funds and plan for the coming event.

Steve: Stage 6, final semester you start to focus on one aspect of the industry, they use their theoretical practical, conceptual, all of these skills they need to use marketing, which is all done together. They create their own brief maybe continuing on what they did in stage 5 but take it further. Then finish and make millions of dollars ☺
 
 
Interview by Hannah Dehelean, Picture drawn by Alice Costanzo

Interview with Steve Wright Teacher at CIT

"Fashion is a collaborative industry"

Interview with Steve Wright Senior lecteur in Fashion at CIT


Steve Wright teachers and supports the aspiring young fashion designers at CIT. With us he discussed the ethics in the fashion process

Hannah: What inspired you to get a job teaching at CIT?

Steve: I received a fashion degree. I like the idea of showing people how to do things, pushing backside of the industry, suppose kind of teaching the industry with expertise. So education it is.

Hannah:So what’s involved in taking your classes?

Steve: Depends on the class I teach a range of subjects. Design, event management and theory subjects. I think for any class, the things I look for in students is a thirst for knowledge and if they are really interested and they want to explore things, then that’s all they need.

Hannah:How close do fashion and beauty work together?

Steve: Not very close at all. They are quite different courses. The beauty course is about the technical expertise of beauty and fashion the “Clothing Production” course is kind of the beauty equivalent in the fashion course that is, the technical expertise of making fashion, they’re both quite long courses, it’s very hard to become an expert in these fields, it’s very difficult.  But the fashion degree that we have here is a “conceptual” degree so it is about designs, ideas and concepts as opposed to sewing, although you do learn how to sew.

Hannah: What advice do you have for future students wanting to do a fashion degree?

Steve: I suppose for anyone, wishing to become a fashion student, essentially I would say, they should be doing research on the industry, the part of the industry that interests you the most and definitely try and get some depth there. So reading fashion magazines is important it’s not the be all and end all becoming a fashion student, look at some of the ideas surrounding that industry, research recent government studies, looking at innovation within the industry in Australia. Essentially what you are looking at, if you’re in year 11 or 12 now, you’re going to be working in the industry in five or six years, so the industry today is going to be quite different to the industry that you’re going into. 


Hannah: What kind of opportunities does CIT offer to students?

Steve: Students get to participate in a range of events every year. At the moment we’re looking at a few sustainable fashion parades. At the end of every year we have the graduation parade which this year is called “Archetype10” it is the biggest parade in Canberra. We give our students time to attend fashion week, you actually do at least a week of work placement in the industry anywhere in Australia. Actually we had a student recently go to Bali, for her work placement. We have industry members that work here as part of our teaching  team. So we have a strong relationship with the local industry. We have exhibitions all the time we’ve got one at the moment actually. What we try and do is simulate the work place. So in a workplace you meet people from diverse areas from the industry, so you can get a lot of connections, a lot of collaborative industries, it’s a business built on relationships. 

Interview by: Hannah Dehelean Picture drawn by: Alice Costanzo


Interview with two Fashion students from CIT

"Fashion is Art on the body"



Interview with Hannah and Morgan


Hannah and Morgan are current CIT fashion students, and they shared their veiws on the evolution of fashion.
 Their intrest in fashion begain at an early, and it something they hope to contiune throught their lives.

Describe fashion in three words
Hannah: well I hate the word fashion with a passion, ‘cause people say fashion, clothes, trend! There is so much more into it and we have to use that word. It is typically what we are doing, but not for a trend.

Morgan: I remember people asking me what do you want to do when your older, I’d responds oh a fashion designer, people would just roll their eyes. But now I can say it with so much confidence , I know what I’m doing, I know what I want to do, I know what I want to result with and it’s something I love doing. I love creating clothes I love the whole process of it. When people roll their eyes at you, they’re just not worth talking to! They ask “well where are you going to get in the world?” Well where are you going to get in the world? It’s one of the biggest industry/ markets in the world.

Hannah: In Australia I think its 2nd or 3rd industry making the most money. It makes billions of dollars every year. It’s not just the aesthetic side of it; it’s the functional side of it. of course it requires talent and brains; a lot of creativity.

Hannah: And coming up with new functions, that even the “eco” kind of world comes in, where they can come up with new things, so much technology goes into it, like technological fabric that has memory, electrical currents go through them. 

Morgan: There is so much technology and money put into the fashion industry It’s hard to describe in three words but, forever, changing and essential.

Hannah: last century, like coming up with new silhouettes we look at clothes and think oh that’s so 60s, 50’s to 20’s and whatever and we are starting to get into it again and we’re like oh fashion is just like a circle, but I really think we are breaking and coming into a new section with this new technology. The world that we are in, climate change and I think that’s going to bring a complete new trend that we haven’t seen before, so that’s when the cycle starts to die down, but I think it’s important to hold onto those, we will always have aspects, like we automatically think shoulder pads, oh they’re so 80s when really they are the 30’s, they first surfaced after a global crisis the great depression. The 80s a financial crisis, and just recently a financial crisis shoulder pads have come out straight after. 

Morgan: Well it is an ever changing thing and these days we’ll see things like oh that’s so typically 80s and there is lots of designers who just copy and may just change their fabric and things like that.  Then you see huge designers who really want to make a difference and they’ll take little aspects and they’ll make it there own and it becomes this era, this style of time we just can’t see it because we’re living in it.  In ten years time we’ll look back and realize that was actually new and original.
Hannah: But yeah Art for the body I have to say; they can be your three words.

What do you have planned for the future?

Morgan : I have no idea my plans are forever changing at first when I wanted to do fashion I also wanted to do three years at ANU textile design, I loved the idea of designing my own textiles. After being overseas last year, for a year. I really liked the idea of making shoes. So I think the future will involve more designing.  I don’t really want a job yet; I want to experience the world and study. I met a designer in Paris and she makes hats and pretty much she just told me “ learn as much as you can If people offer you something take it, learn it.’ She is a designer for Gucci and Chanel, she’s a huge designer and she’s like “Don’t ever plan on making money if you want to stay original and stay with your own company”. So learn as much as you can because she was telling me there was a hat she had to make, she had never made a hat like this before, even with 30 years experience of designing hats. She had no idea how to approach this hat because she’s never learnt.  So for me in the future involves more learning, learning whatever I can and giving whatever skills I have to people.

Hannah: Basically it’s the kind of industry that’s never ending for learning. Whereas you look at others, you go to University and you get your degree, you’re kinda sweet and you can get straight into your job. Where this is a never ending learning process.

Interview by: Hannah Dehelean Picture drawn by: Alice Costanzo

Interview with Sultan Fahiz


Interview with Sultan Fahiz a CIT Graduate

Sultan graduated from CIT Reid campus, after completing a certificate in design fundamentals. Sultan enjoyed designing fashion from an early age,he hopes to continue designing and study architecture in the near future.


Hannah: Sultan what inspired you to start designing clothes?

Sultan: Well, I guess just shopping at a young age, about 12, I used to spend hours in shops just looking at clothes, and I guess it just makes things a lot more convenient if you can [be able to] make them yourself, rather then having to buy them.

Hannah: What was the first thing you designed?
 Sultan: the first thing I ever had to design would have had to been well before I started college attempted to make the denim recycled bag, but it didn’t work out

Hannah: why’s that?

Sultan: just lack of skill, I was hand sewing at the time would have been a pair of pajama pants



Hannah: So, whose style do you admire?

Sultan: Ok, my favorite designers would be: Gucci, Georgie O'marnie, He’s a big inspiration for myself as he’s a solo designer. And I guess Etro as well, there very floral as well, I got a different styles Georgie O’marnie is very masculine and Etro very floral

Hannah: What are your plans for the future? Do you want to continue designing clothes?
 Sultan: Well at the current time I’m tossing between studying Architecture and Fashion , I have a strong passion for both , I would like to aspire to do both, I think eventually I will do architecture and then establish myself , get some money and create fashion label.

Hannah: Do you wear your designs?

Sultan: On special occasions

Hannah: we looked at a fashion show you were apart of , Dark Notions , so you design both male and female clothing ?

Sultan: yes I do both

Hannah: so what challenges do you face in designing?

Sultan: well relative to the show, I designed two dresses, I worked very hard on them, and they didn’t fit any model , so I guess fitting is a big issue , technique things sometimes, like trying to sew in a zip properly sometime it can be tough, but otherwise just trying to create a new look

Hannah: what do you want people to feel when wearing your designs?
 Sultan: I guess for ladies, I’d like them to feel confident, elegant and sexy. For men I guess the same with the confidence factor, which is a big issue I think when you wear something you’ve got to feel amazing

Hannah: can you describe your fashion in three words?

Sultan: Confident/ Tran seasonal / powerful
 Hannah: Is there anything else we should know about you and your designs?

Sultan: I often use recycled materials. for example I made a lady’s dress out of a men’s t-shirt

Hannah: well we wish you luck for the future and your designs, thank you for your time Sultan,

Sultan: No worries, thank you




Interview: Hannah Dehelean Photography : Alice Costanzo


























































































Interview with Heather Joesphine

 
Interview with Heather Joeshine prospective CIT Fashion Student


The alternative German gothic style, intrigued Heather Joesphine, who is an aspiring fashion designer. Heather hopes to continue designing her unique clothing as a career.

Interview:

Hannah: What was the first thing you designed?

Heather: my first thing I sewed was this shit little cushion in year four, therefore it was all hand sewed and if you were to move it, it would all fall apart!

Hannah: So, whose style do you admire?

Heather:  German Goths, Renaissance, the 50’s and the Military.  

Hannah: What are your plans for the future? Do you want to continue designing clothes?

Heather:  well its winter, so a winter hat collection and in the longer run owning a boutique and becoming the designer, no more sewing

Hannah: so what challenges do you face in design? 

Heather: I hate following patterns, and making things to size.

Hannah: what do you want people to feel when wearing your designs?
 Heather: classy and one of a kind, I never make the same thing twice

 Hannah: can you describe your fashion in three words?

 Heather:   Classy, Romantic, and Alternative

 Hannah: Is there anything else we should know about you and your designs?

 Heather: its not the normal Aus fashion, and it tends to be formal

 Hannah: well we wish you luck for the future and your designs, thank you for your time Heather, Goodbye 

 Heather:  Bye, Thanks




















Interview: Hannah Dehelean Photography : Alice Costanzo